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Land of Little Rain - Mary Austin

Jimville: A Bret Harte Town

Yearly the spring fret floats the loose population of Jimville out into the desolate waste hot lands, guiding by the peaks and a few rarely touched water-holes, always, always with the golden hope. They develop prospects and grow rich, develop others and grow poor but never embittered. Say the hills, It is all one, there is gold enough, time enough, and men enough to come after you. And at Jimville they understand the language of the hills.

Jimville does not know a great deal about the crust of the earth, it prefers a "hunch." That is an intimation from the gods that if you go over a brown back of the hills, by a dripping spring, up Coso way, you will find what is worth while. I have never heard that the failure of any particular hunch disproved the principle. Somehow the rawness of the land favors the sense of personal relation to the supernatural. There is not much intervention of crops, cities, clothes, and manners between you and the organizing forces to cut off communication. All this begets in Jimville a state that passes explanation unless you will accept an explanation that passes belief. Along with killing and drunkenness, coveting of women, charity, simplicity, there is a certain indifference, blankness, emptiness if you will, of all vaporings, no bubbling of the pot, — it wants the German to coin a word for that, — no bread-envy, no brother-fervor. Western writers have not sensed it yet; they smack the savor of lawlessness too much upon their tongues, but you have these to witness it is not mean-spiritedness. It is pure Greek in that it represents the courage to sheer off what is not worth while. Beyond that it endures without sniveling, renounces without self-pity, fears no death, rates itself not too great in the scheme of things; so do beasts, so did St. Jerome in the desert, so also in the elder day did gods. Life, its performance, cessation, is no new thing to gape and wonder at.

Here you have the repose of the perfectly accepted instinct which includes passion and death in its perquisites. I suppose that the end of all our hammering and yawping will be something like the point of view of Jimville. The only difference will be in the decorations.

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